At Laima Ceramics, our work with ceramics exists alongside a life shared with horses — beings who teach presence, honesty, and deep connection. Each horse in our herd carries a unique story and spirit, shaping the way we create and live. This is their world, and we invite you into it.

After years of glazing entire pieces in dramatic lava surfaces, I finally found a quieter, more functional way to use the crater glaze — as a fine inlay within the pure white Snow glaze. This subtle line allowed the volcanic texture to enter everyday tableware while remaining refined, and beautifully contrasted. With years of testing behind it, the lava now melts consistently into a glossy, lace-like seam that feels both tactile and perfectly usable.

The Wabi-Sabi Rocks Series was born during a creative fatigue, when I traded perfection for the surprising honesty of clay thrown against a garden rock. What began as rebellion quickly revealed its own mastery — imperfect forms shaped by instinct, impact, and intention. The collection embodies the dualities that define my work: simple yet complex, rustic yet contemporary, familiar yet fresh.

The STONE Collection was born in the quiet of the pandemic, when stillness in the studio allowed me to return to the organic, hand-held forms that first shaped my craft. What began as intuitive, pebble-like vessels quickly became a coherent body of work — raw, grounding, and deeply personal. Over time, I came to see this collection not as an experiment, but as the true heart of my practice.

Special-effect glazes bring depth, character, and artistry to functional ceramics — but they also raise understandable questions about food safety.
In this article, we explore how glazes like crystalline, crackle, matte, and metallic behave on tableware, what “acid resistance” really means, and how potters can use these surfaces confidently while communicating clearly with customers.

After 10 years and hundreds of glaze experiments, I finally brought my scattered research into a beautifully crafted E-Book — a living archive of tested glazes, real results, and hard-earned studio knowledge.

My ceramics can be found across Latvia in thoughtfully curated spaces. Baltic Gift Shop offers the widest selection, while ETMO has been my longest partner. Pienene, a cosy café and tea house with a wonderful aroma and relaxed vibe. At Riga Airport, Roots of Latvia carries small hand-held pieces — perfect for easy travel and last-minute gifts.

How does a rural pottery studio reach clients around the world? After 12 years of making and selling handmade ceramics, I’ve learned that visibility matters more than location. In this article I share the platforms, strategies, and real-life experiences that helped my work travel far beyond my small studio — from Etsy and Faire to trade fairs and craft markets.

Miervaldis and Livino spent their summer with Kristina, where Miervaldis was gently started under saddle using BTMM principles. With attention to nervous system regulation and emotional safety, he blossomed into a calm and willing student.

As the air cools and the horses grow their winter coats, the farm shifts into a slower, more soulful pace. Autumn reminds us to soften, breathe, and embrace the stillness.

A recent misuse of our product photography reminded us how vital proper crediting is for small studios. Here’s what every retailer should know.

Copying as learning is essential. Copying for profit or recognition is not.

This June, four beginner potters journeyed into a world where clay, fire, horses and ancient tradition intertwined. Over two transformative weeks, they discovered not only the foundations of ceramics, but a deeper rhythm — one that moves through wheel, breath, and earth itself.

A tableware collection born from the depths of the ocean and the unpredictable nature of porcelain. The Coral Set for EYWA UAE is a story of texture, colour, technical risk, and the quiet persistence required when clay tests its maker — and its limits.

Some works speak quietly. Others carry the silent strength of forests, time, and earth itself. When I first encountered the creations of Dainis & Sandra, I knew immediately — this was art I would be proud to share with my clients and my world.

During the stillness of winter 2024, a simple idea brought warmth to my rural studio — weekend pottery classes for the local community. Over eight Saturdays, hands shaped clay into vessels, sets, and stories, turning cold mornings into moments of creativity, focus, and shared presence.

An unusually snowy March became the backdrop for four immersive days of making, learning, and connection. Together we explored porcelain, wheel throwing, and sculptural forms, discovering how powerful and productive the creative flow can be when time slows and hands speak.