"SATIN Pink LYO" — Glaze Powder

from €15.00
Weight:

A soft, muted, pastel pink glaze with a rustic, understated character. Satin Pink works beautifully on porcelain, as shown in the photos.

The first image shows Satin Pink on its own, creating a soft, dusty pink satin surface.

In the second image, SCM Matte Crystals have been lightly brushed over the Satin Pink as a second layer. This creates a more matte, crystalline surface with delicate variation and texture.

The third image combines Green Gold + Satin Pink + SCM, applied one layer after another. Layering the glazes creates a much more complex surface, with shifting colours and crystalline effects.

In the fourth image, Satin Pink and Green Gold are layered on a plate to create a beautiful soft pastel green section where the two glazes overlap.

Satin Pink can therefore be used on its own for a quiet, muted pink surface or layered with other glazes to create more experimental colour and texture combinations.

Lead-free • Cadmium-free.

Firing Range

1240–1280°C (Cone 7–9, ≈2265–2336°F)

Sold in powder form only.

Optional Add-On for Cup Effects

To achieve the textured, matte crystalline effect seen on the cups:

Apply three layers of three different glazes one after another- first Green Gold, then The Satin Pink, then Matte Crystals while the first layer is still slightly damp.

Video demo: https://www.instagram.com/p/CuuB43lOERK/

Mixing Guidelines

  1. Begin with a 0.8:1 water-to-powder ratio.

  2. Sieve well.

  3. Add small amounts of extra water if needed for preferred consistency.

IMPORTANT:
You MUST mix the entire dry bag at once.
Because the glaze is blended by hand, taking only part of the powder will result in uneven ingredient distribution.

Yield reference:
500 g (≈ 1.1 lb) dry glaze → approx. 800 ml (≈ 27 fl oz) liquid glaze.

Safety Warning

• Do not ingest.
• Wear gloves when mixing or applying.
• Keep away from eyes; rinse thoroughly with water if contact occurs.
• Avoid glaze dust — never sweep dry powder.
• Clean spills or dry glaze with a wet cloth only.
• Ensure good ventilation during firing.

A soft, muted, pastel pink glaze with a rustic, understated character. Satin Pink works beautifully on porcelain, as shown in the photos.

The first image shows Satin Pink on its own, creating a soft, dusty pink satin surface.

In the second image, SCM Matte Crystals have been lightly brushed over the Satin Pink as a second layer. This creates a more matte, crystalline surface with delicate variation and texture.

The third image combines Green Gold + Satin Pink + SCM, applied one layer after another. Layering the glazes creates a much more complex surface, with shifting colours and crystalline effects.

In the fourth image, Satin Pink and Green Gold are layered on a plate to create a beautiful soft pastel green section where the two glazes overlap.

Satin Pink can therefore be used on its own for a quiet, muted pink surface or layered with other glazes to create more experimental colour and texture combinations.

Lead-free • Cadmium-free.

Firing Range

1240–1280°C (Cone 7–9, ≈2265–2336°F)

Sold in powder form only.

Optional Add-On for Cup Effects

To achieve the textured, matte crystalline effect seen on the cups:

Apply three layers of three different glazes one after another- first Green Gold, then The Satin Pink, then Matte Crystals while the first layer is still slightly damp.

Video demo: https://www.instagram.com/p/CuuB43lOERK/

Mixing Guidelines

  1. Begin with a 0.8:1 water-to-powder ratio.

  2. Sieve well.

  3. Add small amounts of extra water if needed for preferred consistency.

IMPORTANT:
You MUST mix the entire dry bag at once.
Because the glaze is blended by hand, taking only part of the powder will result in uneven ingredient distribution.

Yield reference:
500 g (≈ 1.1 lb) dry glaze → approx. 800 ml (≈ 27 fl oz) liquid glaze.

Safety Warning

• Do not ingest.
• Wear gloves when mixing or applying.
• Keep away from eyes; rinse thoroughly with water if contact occurs.
• Avoid glaze dust — never sweep dry powder.
• Clean spills or dry glaze with a wet cloth only.
• Ensure good ventilation during firing.