Our signature STONE glaze appears as a soft, earthy beige when applied thinly, shifting into a glossy, ash-like surface where the glaze pools more deeply. At the threshold between matte and gloss, delicate crystalline blooms emerge — subtle, light-catching formations that echo the quiet complexity of natural ash glazes.
This recipe includes 1 glaze + 1 glaze variation.
Once you purchase a glaze recipe, you will receive a secure link via email which will allow you to download a PDF file with the information you need to reproduce the glaze, including a recipe, a firing schedule, and some notes.
Lead-free • Cadmium-free
1240–1280°C (2264–2336°F)
Cone 7–9
Suitable for high-fired stoneware and porcelain.
A studio favorite with endlessly beautiful variations
This glaze is highly thickness-sensitive, rewarding potters who enjoy variation and kiln alchemy:
• Thin application → matte beige
• Thick application → glossy ash-like surface (some pin holing may appear when applied too thick)
• Transition areas → fine crystalline development
No two firings ever look exactly the same — that’s the magic of STONE.
This is my staple studio glaze, used across many collections.
Our signature STONE glaze appears as a soft, earthy beige when applied thinly, shifting into a glossy, ash-like surface where the glaze pools more deeply. At the threshold between matte and gloss, delicate crystalline blooms emerge — subtle, light-catching formations that echo the quiet complexity of natural ash glazes.
This recipe includes 1 glaze + 1 glaze variation.
Once you purchase a glaze recipe, you will receive a secure link via email which will allow you to download a PDF file with the information you need to reproduce the glaze, including a recipe, a firing schedule, and some notes.
Lead-free • Cadmium-free
1240–1280°C (2264–2336°F)
Cone 7–9
Suitable for high-fired stoneware and porcelain.
A studio favorite with endlessly beautiful variations
This glaze is highly thickness-sensitive, rewarding potters who enjoy variation and kiln alchemy:
• Thin application → matte beige
• Thick application → glossy ash-like surface (some pin holing may appear when applied too thick)
• Transition areas → fine crystalline development
No two firings ever look exactly the same — that’s the magic of STONE.
This is my staple studio glaze, used across many collections.
