POTTERY WELLNESS COURSE
A Deep Immersion into Craft, Rhythm & Practice
Each year, a small group of international participants are welcomed into the studio for a period of focused immersion — a time to make, observe, refine, and integrate. The approach is holistic by nature: ceramics understood not only as a craft, but as a discipline and a way of orienting oneself in work and life.
During this time, participants are guided through core ceramic processes such as wheel throwing, glaze development, and traditional Baltic Obvara firing. Equally important are the quieter, often unseen layers of studio life: decision-making, pacing, repetition, refinement, and the rhythms that sustain a long-term practice. These elements are absorbed through proximity, shared time, and daily presence.
Living and working on site allows learning to extend beyond scheduled sessions and into everyday life. This closeness creates a natural container for observation, questions, rest, and gradual skill development — without pressure to perform, compete, or produce for outcome.
Competence and confidence emerge through sustained presence, repetition, and attunement over time. This course is designed to offer exactly that: continuity, space, and the conditions needed for meaningful progress.
WHAT IS UNIQUE ABOUT THIS opportunity?
This program sits at the intersection of a structured pottery course and an artist residency. It offers both dedicated time and space to develop your own work at your own pace, alongside regular guidance and shared studio rhythm.
Set in a quiet rural landscape, the studio is surrounded by garden, animals, and open land — creating conditions that support focus, rest, and a slower, more attentive way of working.
The group is international and intentionally small, bringing together people at similar stages of commitment who are drawn to craft as a long-term practice rather than a short-term pursuit. Shared meals, studio time, and daily rhythms foster a sense of quiet community without pressure or comparison.
Workshops combine practical demonstrations, technical discussion, and insight into my approach to ceramics — how decisions are made, how processes are refined, and how a studio practice is sustained over time.
Beyond technique, the program offers exposure to the wider realities of studio pottery: pacing, material choices, workflow, business side of ceramics and the practical and philosophical considerations of working with clay as a livelihood or lifelong discipline.
The personal setting of our home studio creates a grounded, welcoming environment where each participant is supported as an individual and encouraged to work with confidence, care, and autonomy.
What Past Participants Share
“This course is far beyond just a ceramics course… the tranquil calm surroundings, wholesome food, beautiful lodging, and presence of horses, cats and dog… the place simply induces a state of calm and presence, inevitably translating into your state when working with clay.”
— Yakeen Hafouda, UK
“I spent a beautiful four weeks at Laima’s ceramics studio… friendships to treasure forever… pottery skills blossomed. Laima is an exceptional teacher who generously shared her artistry.”
— Heidi Allen, USA
“I left home for a pottery class but returned with so much more… this experience far exceeded anything I could have imagined… Laima and her space came into my life with an entire package of wisdom.”
— Eliza, Romania
“I attended Laima’s one-week pottery course… it was like living the life of my dreams… complete beginners could make a beautiful teapot by day three because it was structured so cleverly and carefully! Laima showed me techniques before I knew what I needed.”
— Anna, Poland
“My course with Laima was something that changed my future as a human and my path in pottery forever… I found life-long friends with the same passion… This course is so much more than just pottery learning.”
— Aino, Finland
“Laima’s studio is the perfect balance of beauty and functionality… she fostered creativity and was generous in sharing her extensive knowledge. I left a better potter and human; I owe that to Laima.”
— Zoe Main, USA
Key Details — What Your Booking Includes
Course fee covers all core elements of the immersion, allowing you to fully settle into the studio rhythm without ongoing logistical decisions.
Included
Accommodation at our family home next to the studio
Daily access to the professional pottery studio
30+ hours of guided group instruction
Two individual one-on-one sessions on the pottery wheel
Weekly Friday community lunches
Welcome meal and closing dinner
Materials and firings*
Group exhibition in the studio at the end of the course
Individual photoshoot of you and your exhibited work
As part of the course process, one ceramic piece will remain in the studio’s permanent collection.
About the Program
This opportunity is best suited to potters who wish to deepen their skills within a quiet, rural setting and a fully equipped working studio.
It particularly suits those with a genuine curiosity about the wider life of studio pottery — including how a practice is organised, sustained, and shaped over time — whether or not they intend to pursue it professionally.
Location & Setting
Laima Ceramics is located in the rural countryside of Zemgale, a region long known as the agricultural heartland of Latvia. The landscape here is wide and open, shaped by farming fields and long horizons.
The studio is part of a family farm and small horse sanctuary, surrounded by grazing land, an old apple orchard, and working fields. Horses live and move through the landscape as part of daily life, offering a grounding presence rather than an attraction. Seasonal changes — light, weather, harvest, and rest — are felt clearly and naturally here.
The nearest town, Bauska, is approximately 20 km away and offers basic amenities, while Latvia’s capital, Riga, is about 70 km from the property and easily reachable by car or public transport. This distance creates a balance: rural seclusion without isolation.
Living and working on site means becoming attuned to the rhythms of the place — early mornings, long studio days, shared meals, and evenings that slow naturally with the light. The environment supports focus, repetition, and rest, making it particularly suited to those who value uninterrupted time and a close connection between work, land, and daily life.
This is not a retreat setting designed to distract or entertain, but a working rural environment that quietly supports sustained practice and presence.
Learning & Guided Sessions Include
Introduction and orientation of the studio, land, and facilities
Wheel-throwing demonstrations (stoneware & porcelain), from cylinders to teapots
Glaze development and application guidance
Dinnerware day — creating functional tableware for home or professional use
Traditional Baltic Obvara (Raku) firing workshop
Extruder vase workshop
Porcelain cup hand-building workshop
Holistic introduction to horse communication and observation
Weekly additional group guidance sessions (e.g. kiln loading, glazing decisions, workflow)
Not Included
Personal food and groceries, Travel and transport expenses
Optional weekly yoga classes in Bauska with Kris (€10 / 2 hours)
Lessons, Daily Rhythm & Guided Practice
The course unfolds through a gentle yet well-held daily rhythm, balancing focused studio work with spaciousness, rest, and self-directed time. This structure supports depth of learning without pressure, allowing skills and understanding to settle naturally.
Most days include one or two guided studio sessions, which act as anchors rather than fixed “classes.” These moments may involve demonstrations, technical input, or focused exploration, and are complemented by hands-on work, observation, and conversation throughout the day.
Typical guided times include:
Morning session: 10:00–12:00
Afternoon session: 14:00–16:00 (on selected days)
Some mornings are reserved for individual wheel sessions, offering more concentrated, personalised guidance.
Outside of guided hours, participants have generous free time — to continue independent studio practice, rest, walk the countryside, journal, integrate, or connect quietly with others. This balance is intentional: learning deepens when it is not forced.
Regular group Q&A and studio meetings are shaped by the needs of those present. Topics may include studio workflow, design development, glazing questions, kiln use, or the business side of ceramics as well as all practical and philosophical aspects of sustaining a pottery practice — professionally or otherwise.
From Forming to Finishing
As the weeks unfold, the focus gradually shifts from generating forms to completing and refining work. This later phase includes:
Guided glazing and surface exploration
Kiln loading and firing preparation
A raku firing day featuring the traditional Baltic Obvara technique
Support in preparing work for final presentation
Weekends & Community Rhythm
Fridays
Fridays carry a softer, more communal tone. We slow the pace, share a long lunch together, and allow space for conversation and digestion — both literal and creative.Saturdays
Optional, lightly organised excursions may include visits to Rundāle Palace, Bauska town, nearby spas, local restaurants, or nature and cultural outings. Participation is always optional; rest is equally valued.Sundays
Reserved for rest. Studio access remains available 24/7, and some participants choose to work quietly on their own.
Materials & Firing
The following are included in the course fee:
Bisque firing and one full glaze firing per participant to 1260 °C (our 200-liter kiln holds approximately 50 pieces)
Pre-mixed studio glazes
40 kg of stoneware clay
Additional materials (such as porcelain) can be purchased directly from the studio or delivered within 48 hours from a local ceramic supplier.
Wheel lessons
We cover the full wheel-throwing process — from preparing the clay to centring, pulling a cylinder, refining form, and trimming. Attention is given to posture, timing, pressure, and the subtle decisions that shape both form and outcome.
For those with more experience, the work can deepen into more demanding territory: throwing porcelain (my personal focus), teapot making, and complex forms such as spheres or combined shapes. Guidance is always adapted to where each person is in their practice.
The wheel becomes a microcosm of practice itself. How you arrive, how you focus, how you respond to resistance, and how you let go are all reflected in the clay. In this sense, the art of living is quietly present within the act of throwing.
Glaze Alchemy
Gorgeous matte, lava, metallic, natural, and special-effect glazes are at the heart of our studio practice. During the course, we work with both glaze development and a range of application methods, always in relation to form, surface, and firing.
Guidance includes an introduction to glaze theory, health and safety, and practical application techniques such as dipping, pouring, and brushing. We also explore the working properties of the glazes available in the studio — how they move, layer, break, and respond in the kiln.
The focus is on understanding materials well enough to work with confidence, curiosity, and intention.
You’re welcome to explore a selection of our favourite glazes here.
Dine in style
This session focuses on creating a cohesive dinner set using slab-rolling techniques — allowing you to develop professional-looking plates and bowls within a short, focused period of time.
You’re guided through a system that balances precision with ease: how to plan proportions, work efficiently, and maintain consistency. Under this approach, it’s possible to produce a complete, harmonious set in just a few hours.
The method is shaped by long-term repetition. Over the years, we have made thousands of plates and bowls for restaurants around the world, refining each step toward greater efficiency, flow, and grace in the process.
Even for those already familiar with slab-building, this session often unlocks a new level of clarity — shifting how you think about rhythm, organisation, and scale in tableware production.
You’re welcome to explore examples of our dinner sets here.
Horse Wisdom
Many people arrive as complete beginners, sometimes even carrying a lingering fear or uncertainty around horses. This session is designed to meet each person exactly where they are.
We begin with a grounded introduction to the principles of horse communication — how horses perceive the world, read body language, and respond to breath, intention, and presence. From there, we move into quiet observation of the herd, followed by simple, respectful communication practices from the ground.
Safety is central. The priority is to create a calm, protected environment for both people and horses. As a sanctuary, this is a place where interspecies harmony and mutual respect guide every interaction.
After a full day in the pottery studio, the horses offer a different kind of attentiveness: mindful movement, regulated breath, and a sense of heart coherence that many find deeply restorative. Any sense of healing arises naturally here — shared, unforced, and reciprocal.
You can read more about our herd and this space here.
Shared Expectations & Studio Ethos
This program is shaped as a shared working environment rather than a school setting. Clarity around expectations helps ensure that time in the studio remains grounded, respectful, and generative for everyone involved.
Commitment to Practice
Participants are expected to work independently and spend substantial time in the studio developing their own work. Motivation and curiosity matter more than speed or output — practice, repetition, and presence are the foundation of the experience.
Respect for the Space
The studio is both a home and a working environment. Care for the space — physical, emotional, and energetic — is essential. A calm, attentive atmosphere supports focus, creativity, and the ability to work well over long periods of time.
Clear & Considerate Communication
Good communication allows the studio to function smoothly. Transparency, directness, and mutual respect are valued, especially when working and living in close proximity.
Guidance & Exchange
Guidance is offered generously and with care, while participants are invited to take responsibility for how they receive and integrate it. Alignment is established through the information shared on this page and through the application process, ensuring that expectations are clear on both sides.
Application Process
To apply, please send a short letter to laimaceramics@gmail.com
In your message, please include:
a brief outline of your experience with ceramics
your motivation for joining this course
what you hope to explore or develop during your time here
Once your application has been reviewed and accepted, you’ll be invited to reserve your place via the listing below by paying the deposit.
After registration, you’ll be added to a private WhatsApp group where we share arrival details and practical information, and where you can connect with the rest of the group ahead of the course.
TestimoniALS from previous participants
A private four-day ceramic experience designed around one participant — your own pace, interests and level.
The programme combines wheel throwing, hand-building and slab rolling. The programme is suitable for complete beginners as well as experienced potters. You don’t need to arrive with a specific project in mind — we can discover what you would like to make together and adapt the four days accordingly.
Bringing someone with you
Although the immersion is booked per person, you are welcome to come with a partner, friend or family member and share the experience. The programme can be adapted to two participants, even if you have different levels of pottery experience.
Our guest room has a 140 cm double bed, and we can also add an extra bed if you are travelling with a child or need separate sleeping arrangements.
The listed price is for one participant. If two people would like to take part in the ceramic immersion, the same price applies per person.
THE FOUR DAYS
The programme below is a basic proposed structure for beginners. Because this is a private immersion, the content can be adapted considerably to your experience and interests. Experienced potters may use the same time for more advanced wheel work, porcelain, teapots, lidded vessels, more complex forms or a specific project.
DAY 1 — Arrive, Discover & Make
11:00 — Arrival & Introduction
We begin at 11:00 with a tour of Laima Ceramics and the surrounding farm.
You’ll get to know the studio, the people who work here and the animals who are part of everyday life — including our horses, ducks, cats and dog.
We’ll introduce you to the studio, our clays and equipment, and give you an overview of the ceramic process, from preparing clay and making forms through to glazing and firing.
Afternoon — Hand-building
After the introduction, we get straight into making.
You’ll explore hand-building techniques and create your first pieces, while getting a feel for the clay and the different possibilities of working with it.
Depending on your experience, this can range from basic construction techniques to more considered or sculptural forms.
DAY 2 — Wheel Throwing
Morning — Demonstration & Practice
For beginners, we begin with a one-hour wheel-throwing demonstration, covering the fundamentals of preparing clay, centring, opening, pulling and shaping.
This is followed by one hour of guided practice, giving you the chance to try the techniques yourself with individual guidance.
For more experienced potters, this time can instead be used to work directly on the techniques, forms or projects you want to develop.
Afternoon — Guided Wheel Throwing
We return to the wheel for another one-hour guided session, focusing on your individual progress and helping you develop greater control and precision.
After the guided session, you’ll have time to continue working independently at your own pace.
The level of work can be adapted to you — from learning the fundamentals to developing more complex forms, working with porcelain, making teapots or exploring other techniques and projects.
DAY 3 — Wheel Throwing & Preparing the Dinnerware
Morning — Wheel Throwing
We continue with wheel throwing, building on the previous day's work.
Opportunity for more repetition and refinement.
Afternoon — Slab Rolling & Dinnerware Design
In the afternoon, we move on to slab rolling in preparation for your dinnerware project.
Before making, we look at the principles behind designing functional dinnerware. We consider proportion, scale, ergonomics and how a piece actually lives in everyday use — how it feels in the hand, how it is eaten from, washed, stacked and stored.
You’ll learn how to roll and handle slabs, work with templates and think about how individual pieces can form a cohesive collection.
Rather than simply making a plate or bowl, the aim is to understand the relationship between design, function and making.
You’ll then prepare the slabs and components needed for shaping your dinnerware on Day 4.
DAY 4 — Shaping Dinnerware & Refining Your Work
Morning — Shaping the Dinnerware
We begin shaping your dinnerware using the slabs prepared on Day 3.
You’ll create your own plates and bowls while considering proportion, shape, function and consistency between pieces.
We look at how a small collection can feel cohesive without making every piece identical, and how the handmade quality can remain visible within a considered design.
Afternoon — Trimming & Finishing
In the afternoon, we return to the pieces thrown on Days 2 and 3.
You’ll trim and refine your wheel-thrown forms, making adjustments where needed and adding finishing details such as handles, lids or other elements.
We’ll then review the work created during the immersion and explore glaze and surface options, considering how different finishes will interact with the forms you have made.
YOUR IMMERSION, YOUR PROJECT
Although the four-day programme has a suggested structure, this is a private experience and can be adapted to you.
If there is something specific you would particularly like to learn or make, we can build the programme around it.
If you would like the experience to extend beyond ceramics, part of the programme can be adapted to include an introduction to our approach to horses and inter-species communication at Laimes Zirgi.
This may include observing the herd, learning to read horse body language, basic ground communication and simply spending time with the horses.
COURSE RHYTHM
4 days / 3 nights
The guided studio day generally runs from 10:00–16:00, with a lunch break in between.
There is also plenty of opportunity to continue working independently outside the guided sessions.
Arrival & Departure
Arrival is at 11:00 on the day of the course.
Departure is after 16:00 after the final studio session on Day 4.
WHAT'S INCLUDED
4 days of private ceramic instruction
Clay and basic studio materials
Firing of your work
Glazing in one glaze colour for up to 20 finished pieces/5kg
Accommodation at our family home
Use of the studio during your stay
Shuttle service to/from Bauska if needed
Materials allowance: up to 10 kg of stoneware clay.
Finished pieces are fired after the course and shipped to you once completed. Shipping costs are additional.
LOCATION
The immersion takes place in my light-filled ceramic studio in rural Zemgale, Latvia, surrounded by fields, an apple orchard and our horse sanctuary, Laimes Zirgi.
25 km from Bauska
70 km from Riga
Approximately 1.1 hours from Riga International Airport
5 minutes from the magnificent Rundāle Palace
The studio, horses and accommodation are all part of the same small rural setting.
ACCOMMODATION
You’ll stay at our family home, a historic brick house originally built in 1878 and carefully renovated in 2021.
The house is shared with our family, including our five cats and one dog. The horses' paddock and stable are between the house and studio, just a short walk away.
Your accommodation includes:
Private guest room with a 140 cm double bed and kitchenette
Shared bathroom with shower and washing machine
Bed linen and towels
Wi-Fi
The studio is a two-minute walk from the house.
MEALS
Meals are self-catered.
The accommodation has a kitchenette where you can prepare your own breakfast, lunch and dinner.
If you have rented a car, you can also use the evenings to explore the surrounding area and visit local restaurants. Q&A — local restaurants
GETTING HERE
We are approximately 20 minutes by car from Bauska Bus Station and around 1 hour 10 minutes by car from Riga International Airport.
If arriving by public transport, we recommend travelling to Bauska Bus Station. We can provide a shuttle to and from Bauska when needed.
If you are arriving by Bolt taxi from Riga Airport, you can come directly to the studio.
A rental car gives you more freedom to explore the surrounding area, visit Rundāle Palace and go out for dinner.
PRACTICAL INFORMATION
Q&A — travel tips, arrival information and practical considerations
Booking Terms & Conditions
HOW TO ENQUIRE
Write to us at laimaceramics@gmail.com and tell us:
Your previous pottery experience, if any
What you would particularly like to learn or make
Whether you will be travelling with a companion