POTTERY WELLNESS COURSE

A Deep Immersion into Craft, Rhythm & Practice

Each year, a small group of international participants are welcomed into the studio for a period of focused immersion — a time to make, observe, refine, and integrate. The approach is holistic by nature: ceramics understood not only as a craft, but as a discipline and a way of orienting oneself in work and life.

During this time, participants are guided through core ceramic processes such as wheel throwing, glaze development, and traditional Baltic Obvara firing. Equally important are the quieter, often unseen layers of studio life: decision-making, pacing, repetition, refinement, and the rhythms that sustain a long-term practice. These elements are absorbed through proximity, shared time, and daily presence.

Living and working on site allows learning to extend beyond scheduled sessions and into everyday life. This closeness creates a natural container for observation, questions, rest, and gradual skill development — without pressure to perform, compete, or produce for outcome.

Competence and confidence emerge through sustained presence, repetition, and attunement over time. This course is designed to offer exactly that: continuity, space, and the conditions needed for meaningful progress.

WHAT IS UNIQUE ABOUT THIS opportunity?

This program sits at the intersection of a structured pottery course and an artist residency. It offers both dedicated time and space to develop your own work at your own pace, alongside regular guidance and shared studio rhythm.

Set in a quiet rural landscape, the studio is surrounded by garden, animals, and open land — creating conditions that support focus, rest, and a slower, more attentive way of working.

The group is international and intentionally small, bringing together people at similar stages of commitment who are drawn to craft as a long-term practice rather than a short-term pursuit. Shared meals, studio time, and daily rhythms foster a sense of quiet community without pressure or comparison.

Workshops combine practical demonstrations, technical discussion, and insight into my approach to ceramics — how decisions are made, how processes are refined, and how a studio practice is sustained over time.

Beyond technique, the program offers exposure to the wider realities of studio pottery: pacing, material choices, workflow, business side of ceramics and the practical and philosophical considerations of working with clay as a livelihood or lifelong discipline.

The personal setting of our home studio creates a grounded, welcoming environment where each participant is supported as an individual and encouraged to work with confidence, care, and autonomy.

What Past Participants Share

“This course is far beyond just a ceramics course… the tranquil calm surroundings, wholesome food, beautiful lodging, and presence of horses, cats and dog… the place simply induces a state of calm and presence, inevitably translating into your state when working with clay.”
— Yakeen Hafouda, UK

“I spent a beautiful four weeks at Laima’s ceramics studio… friendships to treasure forever… pottery skills blossomed. Laima is an exceptional teacher who generously shared her artistry.”
— Heidi Allen, USA

“I left home for a pottery class but returned with so much more… this experience far exceeded anything I could have imagined… Laima and her space came into my life with an entire package of wisdom.”
— Eliza, Romania

“I attended Laima’s one-week pottery course… it was like living the life of my dreams… complete beginners could make a beautiful teapot by day three because it was structured so cleverly and carefully! Laima showed me techniques before I knew what I needed.”
— Anna, Poland

“My course with Laima was something that changed my future as a human and my path in pottery forever… I found life-long friends with the same passion… This course is so much more than just pottery learning.”
— Aino, Finland

“Laima’s studio is the perfect balance of beauty and functionality… she fostered creativity and was generous in sharing her extensive knowledge. I left a better potter and human; I owe that to Laima.”
— Zoe Main, USA

Key Details — What Your Booking Includes

Course fee covers all core elements of the immersion, allowing you to fully settle into the studio rhythm without ongoing logistical decisions.

Included

  • Accommodation at our family home next to the studio

  • Daily access to the professional pottery studio

  • 30+ hours of guided group instruction

  • Two individual one-on-one sessions on the pottery wheel

  • Weekly Friday community lunches

  • Welcome meal and closing dinner

  • Materials and firings*

  • Group exhibition in the studio at the end of the course

  • Individual photoshoot of you and your exhibited work

As part of the course process, one ceramic piece will remain in the studio’s permanent collection.

 

About the Program

This opportunity is best suited to potters who wish to deepen their skills within a quiet, rural setting and a fully equipped working studio.

It particularly suits those with a genuine curiosity about the wider life of studio pottery — including how a practice is organised, sustained, and shaped over time — whether or not they intend to pursue it professionally.

 

Location & Setting

Laima Ceramics is located in the rural countryside of Zemgale, a region long known as the agricultural heartland of Latvia. The landscape here is wide and open, shaped by farming fields and long horizons.

The studio is part of a family farm and small horse sanctuary, surrounded by grazing land, an old apple orchard, and working fields. Horses live and move through the landscape as part of daily life, offering a grounding presence rather than an attraction. Seasonal changes — light, weather, harvest, and rest — are felt clearly and naturally here.

The nearest town, Bauska, is approximately 20 km away and offers basic amenities, while Latvia’s capital, Riga, is about 70 km from the property and easily reachable by car or public transport. This distance creates a balance: rural seclusion without isolation.

Living and working on site means becoming attuned to the rhythms of the place — early mornings, long studio days, shared meals, and evenings that slow naturally with the light. The environment supports focus, repetition, and rest, making it particularly suited to those who value uninterrupted time and a close connection between work, land, and daily life.

This is not a retreat setting designed to distract or entertain, but a working rural environment that quietly supports sustained practice and presence.

 

Learning & Guided Sessions Include

  • Introduction and orientation of the studio, land, and facilities

  • Wheel-throwing demonstrations (stoneware & porcelain), from cylinders to teapots

  • Glaze development and application guidance

  • Dinnerware day — creating functional tableware for home or professional use

  • Traditional Baltic Obvara (Raku) firing workshop

  • Extruder vase workshop

  • Porcelain cup hand-building workshop

  • Holistic introduction to horse communication and observation

  • Weekly additional group guidance sessions (e.g. kiln loading, glazing decisions, workflow)

Not Included

  • Personal food and groceries, Travel and transport expenses

  • Optional weekly yoga classes in Bauska with Kris (€10 / 2 hours)

Lessons, Daily Rhythm & Guided Practice

The course unfolds through a gentle yet well-held daily rhythm, balancing focused studio work with spaciousness, rest, and self-directed time. This structure supports depth of learning without pressure, allowing skills and understanding to settle naturally.

Most days include one or two guided studio sessions, which act as anchors rather than fixed “classes.” These moments may involve demonstrations, technical input, or focused exploration, and are complemented by hands-on work, observation, and conversation throughout the day.

Typical guided times include:

  • Morning session: 10:00–12:00

  • Afternoon session: 14:00–16:00 (on selected days)

Some mornings are reserved for individual wheel sessions, offering more concentrated, personalised guidance.

Outside of guided hours, participants have generous free time — to continue independent studio practice, rest, walk the countryside, journal, integrate, or connect quietly with others. This balance is intentional: learning deepens when it is not forced.

Regular group Q&A and studio meetings are shaped by the needs of those present. Topics may include studio workflow, design development, glazing questions, kiln use, or the business side of ceramics as well as all practical and philosophical aspects of sustaining a pottery practice — professionally or otherwise.

From Forming to Finishing

As the weeks unfold, the focus gradually shifts from generating forms to completing and refining work. This later phase includes:

  • Guided glazing and surface exploration

  • Kiln loading and firing preparation

  • A raku firing day featuring the traditional Baltic Obvara technique

  • Support in preparing work for final presentation

Weekends & Community Rhythm

  • Fridays
    Fridays carry a softer, more communal tone. We slow the pace, share a long lunch together, and allow space for conversation and digestion — both literal and creative.

  • Saturdays
    Optional, lightly organised excursions may include visits to Rundāle Palace, Bauska town, nearby spas, local restaurants, or nature and cultural outings. Participation is always optional; rest is equally valued.

  • Sundays
    Reserved for rest. Studio access remains available 24/7, and some participants choose to work quietly on their own.

Materials & Firing

The following are included in the course fee:

  • Bisque firing and one full glaze firing per participant to 1260 °C (our 200-liter kiln holds approximately 50 pieces)

  • Pre-mixed studio glazes

  • 40 kg of stoneware clay

Additional materials (such as porcelain) can be purchased directly from the studio or delivered within 48 hours from a local ceramic supplier.

Wheel lessons

We cover the full wheel-throwing process — from preparing the clay to centring, pulling a cylinder, refining form, and trimming. Attention is given to posture, timing, pressure, and the subtle decisions that shape both form and outcome.

For those with more experience, the work can deepen into more demanding territory: throwing porcelain (my personal focus), teapot making, and complex forms such as spheres or combined shapes. Guidance is always adapted to where each person is in their practice.

The wheel becomes a microcosm of practice itself. How you arrive, how you focus, how you respond to resistance, and how you let go are all reflected in the clay. In this sense, the art of living is quietly present within the act of throwing.

Glaze Alchemy

Gorgeous matte, lava, metallic, natural, and special-effect glazes are at the heart of our studio practice. During the course, we work with both glaze development and a range of application methods, always in relation to form, surface, and firing.

Guidance includes an introduction to glaze theory, health and safety, and practical application techniques such as dipping, pouring, and brushing. We also explore the working properties of the glazes available in the studio — how they move, layer, break, and respond in the kiln.

The focus is on understanding materials well enough to work with confidence, curiosity, and intention.

You’re welcome to explore a selection of our favourite glazes here.

Dine in style

This session focuses on creating a cohesive dinner set using slab-rolling techniques — allowing you to develop professional-looking plates and bowls within a short, focused period of time.

You’re guided through a system that balances precision with ease: how to plan proportions, work efficiently, and maintain consistency. Under this approach, it’s possible to produce a complete, harmonious set in just a few hours.

The method is shaped by long-term repetition. Over the years, we have made thousands of plates and bowls for restaurants around the world, refining each step toward greater efficiency, flow, and grace in the process.

Even for those already familiar with slab-building, this session often unlocks a new level of clarity — shifting how you think about rhythm, organisation, and scale in tableware production.

You’re welcome to explore examples of our dinner sets here.

Horse Wisdom

Many people arrive as complete beginners, sometimes even carrying a lingering fear or uncertainty around horses. This session is designed to meet each person exactly where they are.

We begin with a grounded introduction to the principles of horse communication — how horses perceive the world, read body language, and respond to breath, intention, and presence. From there, we move into quiet observation of the herd, followed by simple, respectful communication practices from the ground.

Safety is central. The priority is to create a calm, protected environment for both people and horses. As a sanctuary, this is a place where interspecies harmony and mutual respect guide every interaction.

After a full day in the pottery studio, the horses offer a different kind of attentiveness: mindful movement, regulated breath, and a sense of heart coherence that many find deeply restorative. Any sense of healing arises naturally here — shared, unforced, and reciprocal.

You can read more about our herd and this space here.

Shared Expectations & Studio Ethos

This program is shaped as a shared working environment rather than a school setting. Clarity around expectations helps ensure that time in the studio remains grounded, respectful, and generative for everyone involved.

Commitment to Practice

Participants are expected to work independently and spend substantial time in the studio developing their own work. Motivation and curiosity matter more than speed or output — practice, repetition, and presence are the foundation of the experience.

Respect for the Space

The studio is both a home and a working environment. Care for the space — physical, emotional, and energetic — is essential. A calm, attentive atmosphere supports focus, creativity, and the ability to work well over long periods of time.

Clear & Considerate Communication

Good communication allows the studio to function smoothly. Transparency, directness, and mutual respect are valued, especially when working and living in close proximity.

Guidance & Exchange

Guidance is offered generously and with care, while participants are invited to take responsibility for how they receive and integrate it. Alignment is established through the information shared on this page and through the application process, ensuring that expectations are clear on both sides.

 

Application Process

To apply, please send a short letter to laimaceramics@gmail.com

In your message, please include:

  • a brief outline of your experience with ceramics

  • your motivation for joining this course

  • what you hope to explore or develop during your time here

Once your application has been reviewed and accepted, you’ll be invited to reserve your place via the listing below by paying the deposit.

After registration, you’ll be added to a private WhatsApp group where we share arrival details and practical information, and where you can connect with the rest of the group ahead of the course.

 

TestimoniALS from previous participants