Inside the Laima Ceramics Residency · Studio, Seasons & Place
A Place for Time, Clay, and Attention
This place exists to offer time.
Time to work, to pause, to reflect, and to listen — to materials, to the body, and to the quiet unfolding of creative thought. Here, creativity is not driven by deadlines or outcomes, but supported by rhythm, space, and presence.
Set in the wide fields of Rundāle, in rural Latvia, the studio is surrounded by farmland, horses, orchards, and open sky. It is a place to work, dream, contemplate, and gently rejuvenate one’s creative self — held by nature, animals, and a small community of like-minded makers.
Residencies here are self-directed. Artists are invited to arrive with enough experience to work independently, and enough openness to let the place influence their practice.
The Studio & the Land
The studio sits in the Zemgale countryside, where the landscape is expansive and understated. Latvia does not overwhelm with dramatic mountains or jungle — instead, it invites attention to subtlety: light shifts, cloud movement, soil tones, and seasonal transitions.
This is a powerful training ground for the potter’s eye.
The ceramic facilities include a fully equipped working studio with access to a broad material library, porcelain and multiple stoneware bodies, a dedicated glaze room, and a range of firing possibilities — electric, gas, raku, and wood-fired reduction earthenware.
You are, quite literally, in the middle of nowhere — and yet everything needed for focused studio practice is present.
A Different Kind of Residency
There is no pressure to produce here. No exhibitions, no expectations, no performative productivity.
This residency is not about output, but about immersion.
Artists are free to follow their own rhythm — working intensely, resting deeply, or simply observing what emerges when the usual noise of daily life falls away. The environment supports a kind of attention that is increasingly rare: sustained, uninterrupted, and unhurried.
Solitude & Community
This place holds both solitude and connection.
There is space to retreat inward, to work alone, and to enter a quiet inner journey. At the same time, there are people, animals, and shared moments — opportunities for conversation, companionship, and reflection when desired.
Both solitude and community are equally valued here, and residents are invited to find their own balance between the two.
WHAT PAST PARTICIPANTS SAY
“The studio is a brilliant environment for working, equipped with everything you might need to explore new ideas. It invited creative thinking and productivity, but also peace and wellness ... It was a hugely immersive experience being in the middle of nowhere, having no distraction, and therefore the ability to truly relax.”
— Esther Palmer, UK
“Experiencing Laima’s world was a beautiful experience. The communal studio created a creative environment which was nurturing and explorative. My understanding of clay and appreciation of slow making was enriched as I slowed down in the calming landscape ... Her home was shared open-heartedly, and her generosity and friendship will be remembered very fondly.”
— Eva Gilder Hodgson, UK
“The decision to undergo this ceramic residency at Laima Ceramics was informed by my love of the natural world … To be offered a space to be creative feels more important now more than ever.”
— Niusia, Poland
“Laima’s studio is the perfect balance of beauty and functionality… she fostered creativity and was generous in sharing her extensive knowledge. I left a better potter and human; I owe that to Laima.”
— Zoe Main, USA
THE FOUR SEASONS
When is the best time to visit Latvia? Latvia is distinctively divided by the seasons, each one offering a different rhythm and energy.
In early March, the earth begins to wake from deep sleep. Snow melts, rivers swell, and the sea shifts with moving ice. It takes a few weeks for everything to settle and come into tune — just in time to truly feel the awakening.
You must blink slowly, because each day new buds appear. Life returns quickly after winter hibernation. Spring in Latvia is a time of replenishment: we drink birch and maple sap, eat the first greens such as nettle and linden buds, and welcome the season’s earliest harvests. The first radishes emerge in our greenhouse, and Latvia’s beloved cold pink soup — full of spring vitality — often finds its way onto the table.
By May, the apple, plum, and cherry trees put on the most beautiful show of the year — often compared to Japanese sakura, but without the crowds. The orchard blooms in quiet splendour, as if nature were performing just for those present.
For studio practice, spring is a powerful time. As nature awakens, so does creative energy — ideas begin to surface, stretch, and open.
The summer
In summer, plants explode with urgency and abundance. After all, they have only a short time to show their full power and beauty. The energy is buzzing everywhere — the land is productive, and the pull toward making can feel strong.
At the same time, the temptation to float on lakes and rivers, or to lie in a meadow and simply rest, is equally present. Studio practice and enjoyment of life move closely together here, and balance is naturally found.
Midsummer is the most cherished celebration of the year — deeply rooted in Latvian tradition. Flower crowns are woven, folk songs are sung, fires are lit, and the night stretches endlessly. It is a living, neo-pagan ritual that connects people to land, season, and community.
July brings cherries in abundance — our non-commercial cherry garden offers daily buckets, self-service. Strawberries arrive in wooden crates or are picked directly from the fields, filling the body with summer sweetness. August follows with harvest time in full motion, both in nature and in the studio — a period of gathering, richness, and fruition.
It’s an interesting time to start something, as everything else in nature is finishing something. A cycle is slowly completing, inviting us all to slow down and count our blessings, to gently start going within and build a reserve. While the summer hype got us all buzzing, now is the time to be more mindful — a great moment to consider your creative practice, see what to bring further, and where to delve deeper.
It’s harvest time, and eating pumpkin is obligatory every other day — as are apples and pears, in unlimited amounts fresh from the garden. Of course, everything is organic. You are reminded daily of the bounty and generosity of Mother Earth and thus replenished — you too can become generous, in your own way showing love for this Earth.
The sky puts on a special performance in every season, but fall is magnificent. The cloud display over the open, flat landscape is something extraordinary, offering great inspiration for glaze development. As the earth cools, October and November are marked by many misty mornings that transform the surroundings into an enchanted fairy tale. And of course, an extra special dose of yellow covers the country — like a daily dose of vitamin C for the soul — as autumn trees dance their way toward winter.
As this making cycle finishes, nature goes to rest. We are all well-stocked with beauty and vitamins for the winter ahead.
The Winter
Winter time might be the best time to be in the studio. Especially November, when the moisture in the air makes it feel extra cold — there is no better excuse to be totally immersed in studio practice. Add some Christmas songs, and everyone is ready to elf away in this cozy nest!
Soon the land is covered by a winter fairytale, and it’s time for fun in the snow. Cross-country skiing is popular here in the flatlands of Latvia, but more extreme winter fun is possible too, of course. It gets dark around 4 pm, so what else is there to do than to keep potting away?
The energy in the air is grounded and relaxed, further enhanced by the winter menu — all the root vegetables, legumes, and sauerkraut, along with the bounty of different home preserves and jams (all locally handmade) to get us through till spring.
It is a productive kind of hibernation. And like bears who emerge in spring with their cubs, who appear as if by magic — you too can emerge from this slow season with newfound direction and skill, ready to sprout into blooming.
Take a moment to explore the Laima Ceramics studio through the guided tour below.
About Me and This Place
Hello, my name is Laima. I grew up on this farm, beside what is now the pottery studio and residency.
In 2013, after completing my BA in the UK at Falmouth University, I returned home and set up my pottery studio in my childhood house, next to my parents’ working agricultural farm.
By 2016, the small studio had already been outgrown. Using income from my ceramic work alongside EU funding, I built the larger Laima Ceramics studio and renovated the attic space — now known as the Loft — which serves as accommodation for those who come to work and stay here.
In 2020, I was given the opportunity to take responsibility for the neighbouring brick building, built in 1878, and to bring it back to life. I call her My Lady. From the beginning, she felt full of gentle humour and a quiet insistence on being lived in — a house that wished to be filled with people, held and protected by her thick red brick walls. My role was simply to listen and respond as carefully as I could. Being entrusted with the full renovation of a 142-year-old building felt like a rare honour.
The house had stood derelict for over a decade, so the restoration was substantial: a new sewage system and water source, central heating, complete electrical rewiring, a new roof, wooden windows and doors. Inside, we chose natural materials and local craftsmanship wherever possible — oak veneer floors finished with flax oil, natural lime paint, linen curtains, locally made hardwood furniture, and doors and kitchen units crafted from reclaimed wood. In 2021, the house welcomed its first guests.
As a potter, I am largely self-taught. I give much of the credit for my work to the environment I live and work in, and to the time spent listening — to materials, to process, and to my own creative voice as it gradually revealed itself.
This simplicity, and the quiet intelligence within it, is what I wish to share. I believe deeply in setting oneself up for success through environment: stepping out of habitual busyness and into stillness. This place offers exactly that. The location is intentionally rural and somewhat secluded; leaving requires effort. We see this as a gift, because in the absence of other agendas, a natural studio flow begins to emerge.
I invite you to care for this place while you are here, and to allow it to support you in return. There is a reciprocity available in every interaction, if we remain attentive to it.
This land and these buildings are held as a creative sanctuary — a place where making, presence, and care can coexist. By choosing to spend time here, you are actively supporting its continued nurturing and evolution.
Thank you!
-Laima
→ View residency details & application below
TestimoniALS from previous participants